Search: Starring Toby Jones

A rollicking, humorous rollercoaster ride with stunning set pieces.

The pace squeezes your windpipe; the action pulverises your senses; the plot double crosses your preconception

The final 20 minutes turn the screen into a video game.

If you're a fan of gialli and horror all'italiana you'll enjoy playing spot the homage. If you're not a lot of the imagery and dialogue will simply go past you.

If you're a fan of Marvel's cinematic universe, you absolutely cannot miss this instalment.

Good as Caroline Thompson's script is this is a City Of Ember that could do with a little stoking.

This is a film which seeks to convey emotional truth rather than historical accuracy.

With Roger Deakins handling the cinematography and making the most of the magical light found on parts of England’s south coast, the film never ceases to be visually absorbing.

The simplest of pleasures bring the greatest moments of joy in Reichardt’s latest film.

It’s Frank Langella’s towering interpretation of Nixon that eventually makes every other character real.

Haneke is a master of his material, revealing just enough to keep the viewer on tenterhooks but not enough to give an easy explanations.

Is it familiarity that makes the heart grow fonder? Or magic?

There's a difficult place between homage and pastiche, between nostalgia and the new.

So riddled with logic gaps, dumb character decisions and simple confusion about how we should view the entire conceit, that the actual genetic recreation of dinosaurs from 65 million years ago starts looking believable in comparison.

Serious acting, but it becomes something other, something smaller than its stage.

If you can tolerate the soft focus and picture postcard shots in return for a pleasant, feelgood movie, by all means go see it.

The Mist has to introduce its beasties very early – and herein lurks the problem.

A film full of finely crafted detail.

You could wash your hair, play scrabble and still not miss the point.

If you see one portrayal of a screwed up female detective with a drink problem this year, make it this one.

Visually and emotionally restrained, the Painted Veil shines with intellectual integrity.

If you have a particular passion for the Gothic, you may find this film appealing despite its flaws.

Suffers from excess in almost every department.

The film spirals towards the inevitable like a Greek tragedy written in crayon.

As the film progresses through bouts of selfishness and success, you learn to dislike him more.

Another example of a film which looks good, sounds good, has a great cast, and is utterly boring.

A gripping, exhilarating rollick through a medieval wasteland.

On balance, the dexterity of Garrone’s vision papers over the cracks and finds the poetic dimensions of the magical material.

The cool colours and muted emotions of this John Le Carré adaptation fit the 1973 Cold War backdrop perfectly and are appropriate for the murky world of moralistic shades of grey.

Jennifer Connelly has never been more subtle and astute.

In the end I found myself won over by the charm of this film's various creative idiosyncrasies and by the charisma of Brolin’s performance.

The model work is magnificent, from the appropriately terrifying design of the TV characters to the careful distinctions in style between that world and the apparent reality of the one in crisis.

Pugh's performance, which dovetails nicely with newcomer Cassidy’s devout determination as Anna, can’t quite overcome the uneven plotting and, at times, flimsy characterisation.

Like spending two hours with a six year old who has just learned a new naughty word.